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<channel>
	<title>Zoe Everett</title>
	<link>https://zoeeverett.cargo.site</link>
	<description>Zoe Everett</description>
	<pubDate>Tue, 17 Jan 2023 19:18:17 +0000</pubDate>
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		<title>Front page</title>
				
		<link>https://zoeeverett.cargo.site/Front-page</link>

		<pubDate>Tue, 17 Nov 2020 14:02:31 +0000</pubDate>

		<dc:creator>Zoe Everett</dc:creator>

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2022 Assemblages are open ended gatherings Serf, Leeds

&#60;img width="1500" height="1071" width_o="1500" height_o="1071" data-src="https://freight.cargo.site/t/original/i/7f815de519bc55bf64bb5e3d02666fbacadafea28c7546af267ce939aa6a3323/Install-Shot.png" data-mid="208574900" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/7f815de519bc55bf64bb5e3d02666fbacadafea28c7546af267ce939aa6a3323/Install-Shot.png" /&#62;


&#60;img width="1500" height="1115" width_o="1500" height_o="1115" data-src="https://freight.cargo.site/t/original/i/4b9f5ce4bbf592e0d4bfccc5366dde3381ddb389cf8c5a9e51fb7826eda98354/Install-Shot-2.png" data-mid="208574897" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/4b9f5ce4bbf592e0d4bfccc5366dde3381ddb389cf8c5a9e51fb7826eda98354/Install-Shot-2.png" /&#62;

mutant corpse upon my stomachScarfmaker’s silk, lino printing, plaster of paris, packing materials, copper wire, twine



&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/d62f868f1559702c4ebadc78309f98add43239283d0769dc3435b2bbf18092fc/rich-wallow-in-multispecies-muddles-2022-2.png" data-mid="208578596" border="0"  src="https://freight.cargo.site/w/1000/i/d62f868f1559702c4ebadc78309f98add43239283d0769dc3435b2bbf18092fc/rich-wallow-in-multispecies-muddles-2022-2.png" /&#62;
rich waddle in multispecies muddleScarfmaker’s silk, plaster of paris, foraged materials, twine, clay, wax





&#60;img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/75f68289ccac89b5515613135837937c1ec1bd2e4822eed9eef5130b73b4363e/ReplaqueationDestruction-2022-3.png" data-mid="208578236" border="0"  src="https://freight.cargo.site/w/1000/i/75f68289ccac89b5515613135837937c1ec1bd2e4822eed9eef5130b73b4363e/ReplaqueationDestruction-2022-3.png" /&#62;Replaquecation/DestructionCast of destroyed artworkScarfmaker’s silk, plaster of paris, foraged materials, twine






&#60;img width="1500" height="969" width_o="1500" height_o="969" data-src="https://freight.cargo.site/t/original/i/e19f6734d565f532ff728a2aba665f238b1eb3a5b41db10c6eabe8eed76a3f98/A-Frame.png" data-mid="208574894" border="0"  src="https://freight.cargo.site/w/1000/i/e19f6734d565f532ff728a2aba665f238b1eb3a5b41db10c6eabe8eed76a3f98/A-Frame.png" /&#62;

A FrameWood, scarfmaker’s silk, lino printing



&#60;img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/2de5a8e844e189894d6268ad2319374a5225c4892ad2b2449ebb22c1e019c3f5/Oscillation-pt-1.png" data-mid="208574905" border="0"  src="https://freight.cargo.site/w/1000/i/2de5a8e844e189894d6268ad2319374a5225c4892ad2b2449ebb22c1e019c3f5/Oscillation-pt-1.png" /&#62;

Oscillations pt1Wood, oscillating motor, plaster, scarf making silk


&#60;img width="1500" height="1075" width_o="1500" height_o="1075" data-src="https://freight.cargo.site/t/original/i/fdd9fc232d33ece7f1b7f003949f8e38ad20703285ba8e7de38892013452d868/Sheet-Printing-1-2022-2.png" data-mid="208574908" border="0"  src="https://freight.cargo.site/w/1000/i/fdd9fc232d33ece7f1b7f003949f8e38ad20703285ba8e7de38892013452d868/Sheet-Printing-1-2022-2.png" /&#62;

sheet printing 1

Scarfmaker’s silk, lino printing



2023 Unknown Friends - Hypha Studios x Working Class Creatives Database 
Hatton Garden, LondonGroup Show

&#60;img width="1500" height="1112" width_o="1500" height_o="1112" data-src="https://freight.cargo.site/t/original/i/71ef7f08dfd3f0f2afc7ce17203989587305beefd3034aa50269718274c0e0e6/ZoeEverett_Fogged_2023_LinoOnRosaspina_84.1x118.8cm_530-2.png" data-mid="208574912" border="0"  src="https://freight.cargo.site/w/1000/i/71ef7f08dfd3f0f2afc7ce17203989587305beefd3034aa50269718274c0e0e6/ZoeEverett_Fogged_2023_LinoOnRosaspina_84.1x118.8cm_530-2.png" /&#62;
foggedOil-based lino on Rosapina


	

	


	

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sheet printing 2 Scarfmaker’s silk, lino printing


	

	Zoe Everett is a fine art printmaker currently based in Stevenage. Her work has always been drawn to symbol and repetition. She engages with romatic sentiment and its intersections with nostalgia. Exploring non-verbal communication through focusing on sensations and feelings that cannot be captured by words directly.


	

	

Exhibitions
Most Recent Shows


2026 The Big Love Book, Hyde Park Art Club, Leeds
2026 Surface Tension, St Margarets Gallery Norwich
2023 Unknown Screens, Screening of International Video Work

2023 Unknown Friends, Hypha Stud ios x Working Class Creatives Database (London)2022 Assemblages are Open Ended Gatherings, Serf (Leeds)


	

Publications/Press







2026 The Big Love Book
2023 Dazed Review for Unknown Friends


2022 Artist Interview: Bethan Jayne


2022 Artist Interview: Jacob Talkowski


2021 Creatures Magazine - Food Voyeurism Visual Essay


2020/2021 Meet Me For Lunch

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	<item>
		<title>Writing</title>
				
		<link>https://zoeeverett.cargo.site/Writing</link>

		<pubDate>Mon, 04 Jan 2021 17:44:46 +0000</pubDate>

		<dc:creator>Zoe Everett</dc:creator>

		<guid isPermaLink="true">https://zoeeverett.cargo.site/Writing</guid>

		<description>
	




































In a Delicate Balance: Artists/community relationships, UK cultural policy and the artist
residency.&#38;nbsp;[pdf]






MA Research Project
abstract
From the 1960s,
artist residencies have existed in various forms as models for intersecting
relationships between artists, organisations and communities. This research
project utilises industry opinions on residencies alongside historical
contextual analysis of UK cultural policy, to indicate the ideological and
ethical assumptions underneath policy debates. Artistic employment in society is
an area of ongoing debate, which intersects with precarious labour practices,
cultural democracy and artist-community relationships. This paper considers how
artist residencies can be utilised as a model of fluid and consistent artistic
employment with the potential to prioritise ethical community-centric artist
relationships. It provides a historical overview of policy and funding through
the Arts Council over a sixty-year period and addresses issues of cultural and
creative work, cultural democracy and artist-community roles. Qualitative and
quantitative industry responses are used to provide reflexive knowledge and
insight into the practical implications of academic debate. 



This paper proposes
that cultural policy in the UK has seen cyclical resurgence of ethical issues
because the ideological assumptions of a Keynesian cultural policy are at odds
with the practical issues that artists face. Industry responses and critical engagement
with historical cultural policy are utilised to highlight both direct and
indirect barriers to working alongside communities. The paper concludes by
suggesting that these barriers will remain if cultural policy continues to fail
to address underlying ethical concerns on a practical basis and suggests a
renewed examination of artist residencies as an opportunity to apply rhetoric. 









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	<item>
		<title>Newsletter</title>
				
		<link>https://zoeeverett.cargo.site/Newsletter</link>

		<pubDate>Mon, 04 Jan 2021 13:53:31 +0000</pubDate>

		<dc:creator>Zoe Everett</dc:creator>

		<guid isPermaLink="true">https://zoeeverett.cargo.site/Newsletter</guid>

		<description>
	

	
	

	

&#60;img width="800" height="200" width_o="800" height_o="200" data-src="https://freight.cargo.site/t/original/i/a25ebd712732340f83b829f583d7b6f82af719a5d33775f9e85bd841f3cb6110/subscribe-button.png" data-mid="97153706" border="0" data-scale="25" src="https://freight.cargo.site/w/800/i/a25ebd712732340f83b829f583d7b6f82af719a5d33775f9e85bd841f3cb6110/subscribe-button.png" /&#62;




	&#60;img width="1775" height="2103" width_o="1775" height_o="2103" data-src="https://freight.cargo.site/t/original/i/b7883c60b0e2a7f13fab3f76d635d159f73d5df881b2cc5a849f785fb93f0e61/newsletter1-preview.png" data-mid="97153914" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/b7883c60b0e2a7f13fab3f76d635d159f73d5df881b2cc5a849f785fb93f0e61/newsletter1-preview.png" /&#62;
Novemeber 2020: 
Spicy Beef Noodle Soup


	&#60;img width="1775" height="2103" width_o="1775" height_o="2103" data-src="https://freight.cargo.site/t/original/i/afb7b0e4a6c3f221fb1997db1e66d28791c6eab297fd6208591d512ad4ceb48d/newsletter2-preview.png" data-mid="97153915" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/afb7b0e4a6c3f221fb1997db1e66d28791c6eab297fd6208591d512ad4ceb48d/newsletter2-preview.png" /&#62;December 2020: 
Feasts


	&#60;img width="1775" height="2103" width_o="1775" height_o="2103" data-src="https://freight.cargo.site/t/original/i/bcd0127ba53ffd9632e54a8b172e755b1faeb503b05ed7ace2e5d7ffc34c22c2/newsletter3-preview.png" data-mid="97153913" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/bcd0127ba53ffd9632e54a8b172e755b1faeb503b05ed7ace2e5d7ffc34c22c2/newsletter3-preview.png" /&#62;January 2021: 
Food Voyeurism 


	&#60;img width="1775" height="2103" width_o="1775" height_o="2103" data-src="https://freight.cargo.site/t/original/i/b2a2fa423fbf8603aa57bac509ab3b2a8153682eeff2e7c49ae0e9b249bab385/newsletter4-preview.png" data-mid="100495866" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/b2a2fa423fbf8603aa57bac509ab3b2a8153682eeff2e7c49ae0e9b249bab385/newsletter4-preview.png" /&#62;February 2020: Chew Quietly
	
	
</description>
		
	</item>
		
		
	<item>
		<title>CV</title>
				
		<link>https://zoeeverett.cargo.site/CV</link>

		<pubDate>Mon, 28 Dec 2020 23:05:56 +0000</pubDate>

		<dc:creator>Zoe Everett</dc:creator>

		<guid isPermaLink="true">https://zoeeverett.cargo.site/CV</guid>

		<description>
	
Education

2018 – 2020 MA Culture, Creativity and Entrepreneurship, University of Leeds

2012 – 2016 BA (Hons) Fine Art International 2:1, University of Leeds

▪ Dissertation: Imagining Futures/Curating Futures

▪ Erasmus: Hochschule für Bildende Künste, Dresden

2011 – 2012 Foundation Diploma in Art and Design, CSM, University of Arts London

Exhibitions

Solo shows
2022 Assemblages are Open Ended Gatherings, Serf (Leeds)
Group shows

2017 Platform3, Old Red Bus Station (Leeds)

2016 And Again, University of Leeds Fine Art Degree Show (Leeds)

2016 Show, FAHACS Project Space (Leeds)

2015 Studenten, Hochschule für Bildende Künste, Dresden (Dresden)

2014 UNVOID, East St Arts Project Space (Leeds)
Publications
2021 Creatures Magazine,&#38;nbsp; Consumption Edition
Workshops, Conferences etc2019 - 2021 Museum Assistant, National Railway Museum&#38;nbsp;

2020&#38;nbsp;Digital Teaching Assistant, School of Performance and Cultural Industries,
University of Leeds2020 Workshop facilitator, WEAVE: Huddersfield

2020 Conference Assistant, Participation as Policy, Practice and Methodology
Conference

2019 FAILSPACE1: Picturing Success in Cultural Participation














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	<item>
		<title>Biog</title>
				
		<link>https://zoeeverett.cargo.site/Biog</link>

		<pubDate>Tue, 17 Nov 2020 14:02:31 +0000</pubDate>

		<dc:creator>Zoe Everett</dc:creator>

		<guid isPermaLink="true">https://zoeeverett.cargo.site/Biog</guid>

		<description>
	Artist statement:The connection of people through communities, the connection of meaning to symbols in order to have shortcuts to communicate meaning (language). The connection of our mind to our body. The connection of our internalised feeling to an externalised image, for example when we watch something gory and experience goosebumps. A sensation which acts as an idea of feeling. The decay of classical architecture and scultpture, how these forms are replicated as relationships to power. T
Through my practice im building up a structure of structures where images become references which then, as pastiche are removed from their original context. Each thing I make also takes part of the message from the medium. Things should be funny in a way, or not? It’s up to you whether you think something is funny. Ultimate eveything I mess around with comes back to thinking about the interaction of intrinsic thought and physical experience. I’m asking, what does it means to be connected? What does the way we build society, design our personal indenties do?

As an arts researcher, I’m particularly focused on ethical forms of commuity connection. How can art and community, sub-groups and spaces be built to maintain resistance against marketisation? I am interested in the practical application of community arts-based ethics towards an ideal of community intergrated artistic creation (not built on a prescriptive model of culture).&#38;nbsp;
&#60;img width="1366" height="768" width_o="1366" height_o="768" data-src="https://freight.cargo.site/t/original/i/ae30fbff6f9857b7726fa05610d5dcccbde1b9027a7669c32ddf04af64d6d440/Background.png" data-mid="100019684" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/ae30fbff6f9857b7726fa05610d5dcccbde1b9027a7669c32ddf04af64d6d440/Background.png" /&#62;


	Biog
Born in 1992 in
Newham General Hospital, I have since continued to exist on this planet
with great confliction and too many ideas.&#38;nbsp; 
I lived in a tiny flat in Forest Gate for the first few years of my life.
Sharing space with a family of cockroaches who had infested the downstairs
flat. They proceeded to terrify the two builders who came to strip out the
kitchen cabinets.
When I was two or so, I moved to Coley Park in Reading where I got into some trouble. Climbing lamp posts, sneaking into abandoned swimming
pools and getting stuck between neighbours’ fences. Formative memories include
being excellent at conkers, a friend
whose family walked really fast and eating cubed cheese during
sleepovers.&#38;nbsp; 
At age eight, we moved again up to Macclesfield in Cheshire. Where,
having had my childish adventures, I informed my younger sister that I was
too old to play anymore. Surely a traumatic event in her young life as I was in
charge of all imaginary games. At this point I chose to pivot to a rich
internal life, reading and drawing for large swathes of my time like a Victorian invalid. 
I lived in Macclesfield from age eight to fourteen, moving through several
different houses. A millworkers terrace with no garden and the remnants of an
outdoor toilet in the back&#38;nbsp;courtyard,







	


















 a tiny grounds keeper’s cottage on a
working farm, a Victorian terrace painted entirely in shades of lime green and
yellow. At age eleven I started at high school, where the onsite kiln and
well-funded art department meant I was encouraged to produced better
quality artwork.
During this time, I became a latch-key kid, spending hours after school siting
on a flat garage roof and eating chips with friends. 
At fourteen, I
moved again, this time to live with my aunt and uncle in Broxbourne,
Hertfordshire. As a
birthday present, I received an old school iMac and a white fake leather egg
chair, two objects I spent more time with than my family. At this point I
became particularly interested in digital artwork and familiar
with photoshop. I also started to learn how to code, developing technical
skills in order to contribute to online groups. &#38;nbsp;
I lived in the area around Broxbourne from this age until leaving for
university at eighteen although moved again to Stanstead Abbotts and later
Ware. At A-level I focused on my artwork and produced a portfolio of work that
won me acceptance to a Foundation Diploma in Art and Design at Central Saint
Martins. The first person in the school’s history to
get onto a UAL course. In September 2011, I moved again but this time alone, returning to London and a year later up to Leeds to study a BA Fine Arts. 
That concludes a short history, the rest is contemporary.&#38;nbsp;
 
 







</description>
		
	</item>
		
		
	<item>
		<title>Words</title>
				
		<link>https://zoeeverett.cargo.site/Words</link>

		<pubDate>Tue, 17 Jan 2023 18:46:53 +0000</pubDate>

		<dc:creator>Zoe Everett</dc:creator>

		<guid isPermaLink="true">https://zoeeverett.cargo.site/Words</guid>

		<description> 
 
	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 

	Academic Writing- [Masters Dissertation]Interviews For Working Class Creatives Database- [Bethan Jayne]- [Jacob Talkowski]Non-Fiction- [Meet me for Lunch] Newsletter Miniseries
Poetry and Creative Prose- [Seige]
- [Peach Stone]
- [Sickness]
- [Fragments]



	
</description>
		
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	<item>
		<title>Misc</title>
				
		<link>https://zoeeverett.cargo.site/Misc</link>

		<pubDate>Tue, 17 Jan 2023 19:18:17 +0000</pubDate>

		<dc:creator>Zoe Everett</dc:creator>

		<guid isPermaLink="true">https://zoeeverett.cargo.site/Misc</guid>

		<description> 
 
	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 

	Exhibitions
- Assemblages Are Open-Ended Gatherings, Serf Leeds




	
</description>
		
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	<item>
		<title>Tiles</title>
				
		<link>https://zoeeverett.cargo.site/Tiles</link>

		<pubDate>Wed, 05 May 2021 21:12:53 +0000</pubDate>

		<dc:creator>Zoe Everett</dc:creator>

		<guid isPermaLink="true">https://zoeeverett.cargo.site/Tiles</guid>

		<description>

	&#60;img width="3000" height="3505" width_o="3000" height_o="3505" data-src="https://freight.cargo.site/t/original/i/ef557de6f7dc01c023539f26e789cecac1fe7992255eec4cd3eca9a397e749c6/each-of-my-cells-is-growing-hot-tiles-series.jpg" data-mid="107563810" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/ef557de6f7dc01c023539f26e789cecac1fe7992255eec4cd3eca9a397e749c6/each-of-my-cells-is-growing-hot-tiles-series.jpg" /&#62;
Each of my cells are growing hot, 2021Clay tiles, acrylic paint, charcoal, pastel
</description>
		
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		<title>mutant corpse upon my stomach left under fickle excess</title>
				
		<link>https://zoeeverett.cargo.site/mutant-corpse-upon-my-stomach-left-under-fickle-excess</link>

		<pubDate>Sat, 13 Aug 2022 14:46:34 +0000</pubDate>

		<dc:creator>Zoe Everett</dc:creator>

		<guid isPermaLink="true">https://zoeeverett.cargo.site/mutant-corpse-upon-my-stomach-left-under-fickle-excess</guid>

		<description>

	
&#60;img width="3000" height="4000" width_o="3000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/7dc79b78ba7e0f0b43fe6c15be72f5d3cb3d6741de4ae7c253ffd5769d2f020d/Hammock-2022-5.jpg" data-mid="150309748" border="0"  src="https://freight.cargo.site/w/1000/i/7dc79b78ba7e0f0b43fe6c15be72f5d3cb3d6741de4ae7c253ffd5769d2f020d/Hammock-2022-5.jpg" /&#62;
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mutant corpse upon my stomach, 2022Scarfmaker’s silk, lino printing, plaster of paris, packing materials, copper wire, twine</description>
		
	</item>
		
		
	<item>
		<title>rich waddle in multispecies muddle</title>
				
		<link>https://zoeeverett.cargo.site/rich-waddle-in-multispecies-muddle</link>

		<pubDate>Sat, 13 Aug 2022 14:51:44 +0000</pubDate>

		<dc:creator>Zoe Everett</dc:creator>

		<guid isPermaLink="true">https://zoeeverett.cargo.site/rich-waddle-in-multispecies-muddle</guid>

		<description>

	
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Rich waddle in multispecies muddle, 2022Scarfmaker’s silk, plaster of paris, foraged materials, twine, clay, wax</description>
		
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